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Chanel Cruise 2025/2026, Lake Como show, Let summer begin.

  • Writer: Rozhin Shafaghati
    Rozhin Shafaghati
  • May 3
  • 1 min read

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Chanel showed its Cruise 25/26 collection at Villa d’Este, a luxury hotel by Lake Como. A quiet, refined location for a collection that felt easy, chic, and perfectly wearable.



The show opened with Loli Bahia in a pale pink taffeta dress paired with ballet flats—simple, delicate, and elegant. This set the tone for the soft tailoring and airy dresses that followed.

Mona Tougaard walked in a relaxed cream suit with a sheer blouse and low bun—very 90s Chanel, but updated and clean. The tailoring throughout was light and unfussy.

Liu Wen appeared in a gold lurex set that nodded to the disco influences running through the collection. Think Studio 54 but lakeside—sequins, metallics, glitter, but still Chanel-level polished.

Sequin mini dresses, sheer black gowns, and soft knitwear were scattered throughout, always styled in a nonchalant way—flat shoes, minimal accessories, and light makeup.



The palette moved between soft lemon yellows, pale blue, sandy tones, and black. Perfect for a cruise collection—easy to wear, easy to mix.

The show ended with Alaato Jazyper in a black glittered halter dress, hair slicked back, and barely-there makeup. A strong closer that still kept the quiet, understated energy.

This was the last collection made by the studio team before the new creative director takes over. It feels like a reset—clean, modern, and focused.

A confident, wearable cruise collection that doesn’t try too hard—and that’s exactly what makes it work.



 
 
 

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